Jinoos Misaghi (b. 1989, Tehran, Iran) in her works courageously portrays a unique confusion. The way she puts the image together creates concepts that stand beyond critique, uncertainty, movement, gender, and home, in its literal sense of the word.
The oscillation of perspective, which is a recurring motif of her works, can be an explanation of the intertextual relationship that the painter establishes with her geographical painting tradition, which is experienced by the audience as a kind of de-authorization of the final image.
